TV watching update

May 25, 2020

The Ghosts of Sherwood is out in about two weeks. Well, that snuck up on me. Watch this space for more info! (And yes, there will be an audio edition!) For now, here’s a video of me reading the start of the story.

Pandemic TV viewing continues. I finished The Last Kingdom season 4, and it continues to deliver what it’s always delivered. The first couple of episodes don’t seem to match up with the end of the previous season, but the story sucked me in soon enough. I had a delightful moment I need to tell you about:  Since last year I’ve been listening to The History of England podcast, which is narrated in a comforting British accent, told with humor and insight, and really digs into the historiography — what historians have said about the history over time. I started so I could get more background about the reigns of King John and King Henry III for my Robin Hood stories. And then I just kept going, jumping back to the Norman conquest for another story I want to write, and then even further back… which led me listening to all about how King Edward (heir to Alfred the Great) and his sister Aethelflaed, the Lady of Mercia, consolidated power. And that’s exactly what The Last Kingdom season 4 is all about, and it confirmed what I’ve suspected all along, that the story — the show and Bernard Cornwall’s books — are something of a sideways history. If historians don’t know exactly how something happened. . .it’s Uhtred! Uhtred did it! So it is here. The podcast tells me that historians aren’t exactly sure how Edward and Aethelflaed convinced the ealdorman of Mercia to put Aethelflaed in charge of an exclusively male position. Well — it’s Uhtred! So that’s fun.

On another level the show is a catalog of early medieval combat and battle strategy, and it’s kind of brilliant. I think it should be required viewing for SCA fighters. This season, we got a siege of a walled town. Gah….

I watched Picard. Much like ST: Discovery, it has some moments of brilliance — and some of the dumbest, most bone-headed plotting I’ve ever seen, along with (what I think is) unnecessary grimdark. The Romulan baddies were laughable cliches. I was so interested in Hugh and the Borg rehabilitation project — and the show just flushed it. I dunno. I keep saying I’m going to stop watching and then Trek keeps pulling me back in…

I’ve been watching and enjoying the National Theatre productions on YouTube. Right now it’s Gillian Anderson and Ben Foster in A Streecar Named Desire. Both fantastic actors in a very well written play about people being horrible to each other.  In a couple of weeks they’re posting Tom Hiddleston’s Coriolanus, which I’m really looking forward to.

Onward…

 

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