Hugo Nominations

March 12, 2019

This week is the deadline to get your Hugo nominations in, if you’re eligible to nominate. I posted my own work from 2018 a while back, for your consideration.

I didn’t read a lot of new stuff last year, which pretty much goes along with all the other stuff I didn’t do last year. But I do have a couple of recommendations.

I’ve talked before about C.L. Polk’s Witchmark, which has been nominated for a Nebula and is one of my favorite reads from the last couple of years. It’s Edwardian-adjacent, alternate-world fantasy, and full of heart.

The Best Series category has only been around a couple of years but it’s often contentious. I like the category because it rewards sustained work over a length of time. Having done writing like that myself, I know what an accomplishment a good series can be. Once again this year I have to recommend Wild Cards, not just because I’m one of the writers but because this is perhaps the longest-running, most involved and complex series in all of SF&F and I think it deserves the recognition. The new installments this year include Low Chicago, Texas Hold’Em, and a number of shorts.

I’m also nominating the Wayfarers series by Becky Chambers, which I’m not sure is eligible but I’m nominating it anyway. I find myself recommending these books all over the place, especially to people who don’t think they like science fiction.

There’s a special category for Best Art Book this year, just in time for Alex Ross’s Marvelocity, a massive compendium of a bunch of the work Ross has done for Marvel. Alex Ross is one of the greatest comics artists of all time, and this book is breathtaking, both in showcasing his work but also in demonstrating the care he takes with the entire legacy of Marvel comics and its heroes. He’s amazing.

I’m putting two episodes of The Expanse on my ballot for Best Dramatic Short-Form:  Ep. 3.7 “Delta V” (RIP Maneo!) and Ep. 3.11 “Fallen World.” (Confession:  Abaddon’s Gate is one of my favorite of the books in the series because of what happens in the Ring and the slowdown and all the rest. It’s super, super traumatic in the books — and the TV show nailed it. Just perfect. These two episodes pretty much bookend what I love about that particular book and are great adaptations.)

 

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