awards season recs

February 1, 2016

A couple of weeks ago I posted my award-eligible work from 2015.  I like putting my annual publications in one place because it reminds me that, hey, I really have been busy and productive!  Cool!

But this is the time of year I also like to think about the cool new stuff I’ve encountered.

I don’t think I’ve done enough reading — I never do enough reading.  Especially short fiction.  I used to try to read every anthology my work appeared in, but that got out of hand a few years ago and I’ve never been able to keep up.  So, my reading is awfully scattered.

I did read some good novels, though:  Uprooted by Naomi Novik is getting a lot of buzz, and rightfully so.  Really excellent stand-alone traditional fantasy, in the same vein as the books I love so much by Robin McKinley and Patricia McKillip, about a young heroine who discovers that she’s much stronger than she knows and sets about saving the world because someone has to do it.

Then there are some of my go-to favorites:  James S.A. Corey and Paolo Bacigalupi both had new books out last year.  Nemesis Games is the fifth Expanse novel and the one that left most of us fans going “Holy crap did they really just do that?  OMG, they really just did that.”  I cannot wait to see where they go from here.

Bacigalupi’s The Water Knife is near-future speculation about drought and water rights in the west — issues literally in my own backyard.  Paolo really knows his stuff and this book combines thought-provoking SF with a cool thriller plot.  Good stuff there.

I also encountered The Alex Crow by Andrew Smith, a rather strange and wonderful YA novel about some difficult subjects, but still with some funny bits and a weird Philip K. Dick worthy subplot holding it all together.  The main character is a teen refugee from an unnamed war-torn country, who is sent to summer camp with his new foster brother.  So, it’s like terrible refugee stuff combined with teen-boy summer camp comedy.  And it kind of actually works.  I don’t think this book is for everyone, but it’s one of the things I read last year that stood out for me.

The dramatic categories for the Hugo are going to be super-interesting this year.  These short-run TV shows with only 8-10 episodes are almost mini-series covering one storyline — so do we nominate them as short-form by episode or long form for the whole thing?  No idea.  But some TV episodes that caught my attention are the season finale of The Flash, and Ep. 8 of Daredevil — the Fisk backstory.  Agent Carter also gets my attention.

Long form — this is going to be an immensely interesting year, because we have an embarrassment of riches.  Marvel movies, Hunger Games, Star Wars — but I have to say, I’d rather avoid the long-running franchise in favor of nominating Fury Road and The Martian — both really solid stand-alone stories that showcase what SF storytelling is capable of.  (Marvel and Star Wars in particular have gone past basic storytelling and have become something else — communities, wherein the movies are rituals of celebration.  I have an essay about that brewing.)

And now I have really got to catch up on some short fiction before I fill out my ballots…

 

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