teaching writing

July 13, 2009

“…I was but the learner.  Now, I am the master.”

–Darth Vader

I spent last week as the writer-in-resident/guest instructor at the Odyssey Writing Workshop, the same workshop I attended as a student 11 years ago now.  Talk about full circle.

When I was preparing for this gig, I thought about the writers who’d been the guest instructors when I was a student at Odyssey — Patricia McKillip, John Crowley, James Morrow, Ellen Kushner, Delia Sherman, Harlan Ellison.  Not only had they all been established authors for years and years — nay, decades.  They’d been teaching writing for that long.  They had established and well-practiced lectures, exercises, and techniques.

I couldn’t do that.  I just don’t have the experience.  So my plan was to rant about my experiences and the advice and discoveries that had helped me, and turn the lectures into discussions, asking lots of questions and seeing what happened.  It seemed to work.  And I discovered that while I don’t have loads of experience, I have memory:  I’m new enough to all this that I remember very well what it’s like to struggle to get published, to struggle with plot and pacing, to just, you know, struggle.  That’s recent history for me.  I remember very clearly the day in December 2003 when called my Mom and told her I was going to quit because I just couldn’t do this any more.  I don’t have so much experience and miles under my belt that my years as a newbie are distant memory.  That memory is something I think instructors with decades of experience no longer have.

I hope I never forget what it was like to be new.

My lecture topics at Odyssey:

  • Monday:  Novels v. short stories.  Manipulating story length and why you want to.
  • Tuesday:  Suspense, pacing, and the release of information.
  • Wednesday:  Plot, action, and character, and how they work together.
  • Thursday:  Revising, and taking a stand in your fiction.
  • Friday:  The Business and its Psychology.

10 Responses to “teaching writing”

  1. Jim Van Pelt Says:

    Hi, Carrie. I’m glad the teaching went well. I’ll bet the students got a ton from you.

  2. Rene Says:

    Very interesting topics. I’m intrigued by all of them, especially Thursday’s (because I’m curious how the two are interrelated.)

  3. Jared Says:

    Huh. Harlan Ellison as a lecturer? That must have been… interesting.

  4. Trai Says:

    Must be awesome to get a chance to teach at the place that helped to teach you! The lectures all sound like they were great, too!

    For the record, I’m one person (and I’m sure not the only one) who’s glad you didn’t quit. I remember finishing Midnight Hour the November it was released and thinking, “Geez, I have to wait until JULY for the next book?!”

  5. carriev Says:

    Yeah, Harlan as teacher. Interesting is one word for it. The main thing is I survived.

    Rene, I put “revising” and “taking a stand” together, because the second draft, or during the revision process, is often where writers get a chance to look at the piece and decide what it’s really “about.” We’re telling a story, but what does that story mean? Revising gives us an opportunity to make that aspect of the story stronger.

    Trai, I’m also glad I didn’t quit. :)

  6. Mom Says:

    Me too!

  7. Doruk Says:

    Hi Carrie. Completely unrelated question here. I was just reading Blood Lite, the story by Eric James Stone titled PR problems, to be specific. I came across the following sentence:

    “(…) it was vampires and werewolves who got the really cool jobs, like private detective or radio talk-show host.”

    A nod to your direction?

  8. carriev Says:

    It quite probably is. I haven’t seen the story, but I know Eric — he’s an Odyssey grad from a different year and regularly attends Mile Hi Con.

  9. Rita J. Webb Says:

    The Business and Its Psychology? What on earth was that about?

  10. carriev Says:

    A lot of the publishing business is insane and irrational, full of things that the writer cannot control. The more time you spend trying to control things you can’t control (who buys your stuff, when your manuscript sells, how to get on bestseller lists, what other people’s careers look like), the more stressed out and crazy you’ll get.

    How to be a writer and not get utterly depressed…


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